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Right next to “Celebration.” Run-DMC made it possible for all the majors to see that rap music and hip-hop was album-oriented music and rap artists were rock stars, really. Run-DMC should be as revered as Aerosmith and have all the spoils.
There’s nothing more mainstream than being on a wedding playlist.
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But they went to the Catholic school and were good kids. Ebony magazine put Run-DMC on the cover after Rolling Stone. One of the things that would bring [Perry and Tyler’s] relationship back together many, many times is somebody sold them some drugs.
Jay’s a kid who hung out in the park, was tough and was more street. All the Sugar Hill [label] records were very produced, very slick, very much like funk records. When Run-DMC came around, it really was a new sound.
The rockers, struggling with drugs and low record sales, don’t know what to make of Rubin’s pitch. Now, Steven is a drummer at heart and he’s very inventive and creative. I was the road manager, the head of the logistical part of this war. It was one of the worst days of my life, because I was the first to get a credit card. But let’s give it a try.” I know Steven was upset because they didn’t know the lyrics. I didn’t want to get into a big fight with the guys. ” They said, “No, D, man.” It was just one after another. Switch up like you all do.” That’s how I got Joe Perry was brilliant. And I remember just thinking how Run and D didn’t like the lyrics and here’s the guy who wrote the song. He comes up with the idea of a physical wall separating Tyler and Perry from Run-DMC. It was his idea to build that set and put the wall up. It doesn’t mean you don’t play Sly and the Family Stone and you don’t play Jimi Hendrix. It wasn’t like we were waiting for the next Run-DMC record.
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